One file in. A campaign out.
Intake
You upload the SketchUp file through the dashboard with your finishes, brand assets, typologies and prices. This raw screenshot of Helena's living hall is exactly the kind of plate that arrives. It is all we need.
Model check
Automated gates verify the model is renderable: geometry, scenes, levels, materials. Pass, and the clock starts with your delivery date on screen. Fail, and you get a fix quote within hours instead of a surprise at the deadline. Terra's courtyard arrived like this.
The render
Every camera is rendered photoreal against your actual geometry and materials. The same Terra courtyard, finished. Automated checks compare each frame to your model before any human sees it; a frame that drifts from the design never leaves the building.
The hours
Every approved scene is re-lit through the day: midday, golden hour, dusk, night. The light that sells a project is rarely the light the model was built in. Orin's pool at golden hour.
The formats
Each scene ships horizontal for the brochure and site, and as a true vertical composition for Reels, Stories and TikTok. Recomposed, not cropped. Helena's lounge at golden hour.
Motion
Cinematic clips in both orientations, including light that moves on camera: day into golden, golden into dusk. On Campaign and above, the teaser film is cut here. Aura's pavilion.
Delivery
The dashboard flips to delivered: every asset organized by scene, format and hour, approve or comment on each, download everything in one click, brochure and website pinned at the top. Kova's dining hall, as it shipped.
